Marfa. Later, with assistance from the Dia Art
Foundation in New York, Judd acquired decommissioned Fort D.A. Russell, and
began transforming the fort's buildings into art spaces in 1979. Judd's vision
was to house large collections of individual artists' work on permanent
display, as a sort of anti-museum. Judd believed the prevailing model of a
museum, where art is shown for short periods of time, does not allow the viewer
an understanding of the artist or their work as they intended
