mples include the grand St. Sophia of Kiev – the year 1017 is the earliest record of foundation laid, Church of the Saviour at Berestove – built from 1113 to 1125, and St. Cyril's Church, circa 12th century. All can still be found in the Ukrainian capital. Several buildings were reconstructed during the late-19th century, including the Assumption Cathedral in Volodymyr-Volynskyi, built in 1160 and reconstructed in 1896–1900, the Paraskevi church in Chernihiv, built in 1201 with reconstruction done in the late 1940s, and the Golden gates in Kiev, built in 1037 and reconstructed in 1982. The latter's reconstruction was criticized by some art and architecture historians as a revivalist fantasy. Unfortunately little secular or vernacular architecture of Kievan Rus' has survived.
As Ukraine became increasingly integrated into the Russian Empire, Russian architects had the opportunity to realize their projects in the picturesque landscape that many Ukrainian cities and regions offered. St. Andrew's Church of Kiev (1747–1754), built by Bartolomeo Rastrelli, is a notable example of Baroque architecture, and its location on top of the Kievan mountain made it a recognizable monument of the city. An equally notable contribution of Rasetrelli was the Mariyinsky Palace, which was built to be a summer residence to Russian Empress Elizabeth. During the reign of the last Hetman of Ukraine, Kirill Razumovsky, many of the Cossack Hetmanate's towns such as Hlukhiv, Baturyn and Koselets had grandiose projects built by the appointed architect of Little Russia, Andrey Kvasov. Russia, winning successive wars over the Ottoman Empire and its vassal Crimean Khanate, eventually annexed the whole south of Ukraine and Crimea. Renamed New Russia, these lands were to be colonized, and new cities such as the Nikolayev, Odessa, Kherson and Sevastopol were founded. These would contain notable examples of Imperial Russian architecture.
In 1934, the capital of Soviet Ukraine
