tements produced in Europe during the Middle Ages. There is no shortage of celebrated literary figures in Italy: Giovanni Boccaccio, Giacomo Leopardi, Alessandro Manzoni, Torquato Tasso, Ludovico Ariosto, and Petrarch, whose best-known vehicle of expression, the sonnet, was invented in Italy.
Prominent philosophers include Giordano Bruno, Marsilio Ficino, Niccolò Machiavelli, and Giambattista Vico. Modern literary figures and Nobel laureates are nationalist poet Giosuè Carducci in 1906, realist writer Grazia Deledda in 1926, modern theatre author Luigi Pirandello in 1936, poets Salvatore Quasimodo in 1959 and Eugenio Montale in 1975, satirist and theatre author Dario Fo in 1997.
Italian theatre can be traced back to the Roman tradition which was heavily influenced by the Greek; as with many other literary genres, Roman dramatists tended to adapt and translate from the Greek. For example, Seneca's Phaedra was based on that of Euripides, and many of the comedies of Plautus were direct translations of works by Menander. During the 16th century and on into the 18th century, Commedia dell'arte was a form of improvisational theatre, and it is still performed today. Travelling troupes of players would set up an outdoor stage and provide amusement in the form of juggling, acrobatics, and, more typically, humorous plays based on a repertoire of established characters with a rough storyline, called canovaccio.
From folk music to classical, music has always played an important role in Italian culture. Instruments associated with classical music, including the piano and violin, were invented in Italy, and many of the prevailing classical music forms, such as the symphony, concerto, and sonata, can trace their roots back to innovations of 16th and 17th century Italian music.
Italy's most famous composers include the Renaissance composers Palestrina and Monteverdi, the Baroque composers Alessandro Scarlatti, Corelli and Vivaldi,