of Santa Maria e San Donato (known for its twelfth century Byzantine mosaic pavement and said to house the bones of the dragon slain by Saint Donatus), the church of San Pietro Martire with the chapel of the Ballarin family built in 1506 and artworks by Giovanni Bellini, and the Palazzo da Mula. Glass-related attractions include the many glassworks, some Mediaeval and most open to the public, and the Murano Glass Museum, housed in the large Palazzo Giustinian.
History of Murano glassmaking
Murano’s reputation as a center for glassmaking was born when the Venetian Republic, fearing fire and the destruction of the city’s mostly wooden buildings, ordered glassmakers to move their foundries to Murano in 1291. Murano glass is still associated with Venetian glass.
Murano's glassmakers were soon numbered among the island’s most prominent citizens. By the 14th century, glassmakers were allowed to wear swords, enjoyed immunity from prosecution by the Venetian state, and found their daughters married into Venice’s most affluent families. While benefiting from certain statutory privileges, glassmakers were forbidden to leave the Republic. However, many of them took the risks associated with migration and established glass furnaces in surrounding cities and farther afield - sometimes in England and the Netherlands.
Murano’s glassmakers held a monopoly on high-quality glassmaking for centuries, developing or refining many technologies including crystalline glass, enameled glass (smalto), glass with threads of gold (aventurine), multicolored glass (millefiori), milk glass (lattimo), and imitation gemstones made of glass. Today, the artisans of Murano still employ these centuries-old techniques, crafting everything from contemporary art glass and glass jewelry to Murano glass chandeliers and wine stoppers.
Today, Murano is home to the Museo del Vetro or Murano Glass Museum in the Palazzo Giustinian, which holds displays on the history
