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Culture of Munich


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esidenz Theatre was erected in the building that had housed the Cuvilli�s Theatre before World War II. Many operas were staged there, including the premiere of Mozart's "Idomeneo" in 1781. The G�rtnerplatz Theatre is a ballet and musical state theatre while another opera house the Prinzregententheater has become the home of the Bavarian Theatre Academy. The modern Gasteig center houses the Munich Philharmonic Orchestra. The third orchestra in Munich with international importance is the Bavarian Radio Symphony Orchestra. Its primary concert venue is the Herkulesaal in the former city royal residence, the Residenz. A stage for shows, big events and musicals is the Deutsche Theater. It is Germany's largest theatre for guest performances.

Next to the Bavarian Staatsschauspiel in the Residenz Theatre (Residenztheater), the Munich Kammerspiele in the Schauspielhaus is one of the most important German language theatres in the world. Since Gotthold Ephraim Lessing's premieres in 1775 many important writers have staged their plays in Munich such as Christian Friedrich Hebbel, Henrik Ibsen and Hugo von Hofmannsthal.

The city is known as the second largest publishing center in the world (around 250 publishing houses have offices in the city), and many national and international publications are published in Munich, such as Matchless Magazine, LAXMag and Prinz.

Prominent literary figures worked in Munich especially during the final centuries of the Kingdom of Bavaria such as Paul Heyse, Max Halbe, Rainer Maria Rilke and Frank Wedekind. The period immediately before World War I saw economic and cultural prominence for the city. Munich, and especially its suburb of Schwabing, became the domicile of many artists and writers. Thomas Mann, who also lived there, wrote ironically in his novella Gladius Dei about this period, "Munich shone". It remained a centre of cultural life during the Weimar period with figures such as Lion Feuchtwanger, Bertolt Brecht and
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