Another crucial development at this time was the movement of freed black slaves into the Chocó, primarily engaging in shifting cultivation to cope with the extreme leaching from the super-humid climate, though fishing and the collection of forest products also helped these groups maintain their livelihood; 1853 watercolors by Manuel María Paz document two mestizo or European men with an Afro-Colombian street vendor, and depict the dress of Afro-Colombian and European women in the town square. These black communities established trade with highland cities such as Medellín via rough mule trails that lasted until the 1950s, after which a combination of population growth and declining values for the region’s natural resources gradually led to an economic downturn for the region and especially Quibdó
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