pital city of Saint Petersburg. The second half of the 19th century was dominated by the Neo-Byzantine and Russian Revival styles. Prevalent styles of the 20th century were the Art Nouveau, Constructivism, and the Stalin Empire style.
In 1955, a new Soviet leader, Nikita Khrushchev, condemned the "excesses" of the former academic architecture, and the late Soviet era was dominated by plain functionalism in architecture. This helped somewhat to resolve the housing problem, but created a large quantity of buildings of low architectural quality, much in contrast with the previous bright styles. The situation improved in the recent two decades. Many temples demolished in Soviet times were rebuilt, and this process continues along with the restoration of various historical buildings destroyed in World War II. A total of 23,000 Orthodox churches have been rebuilt between 1991–2010, which effectively quadrapled the number of operating churches in Russia.
Visual arts
Early Russian painting is represented in icons and vibrant frescos, the two genres inherited from Byzantium. As Moscow rose to power, Theophanes the Greek, Dionisius and Andrei Rublev became vital names associated with a distinctly Russian art.
The Russian Academy of Arts was created in 1757 and gave Russian artists an international role and status. Ivan Argunov, Dmitry Levitzky, Vladimir Borovikovsky and other 18th century academicians mostly focused on portrait painting. In the early 19th century, when neoclassicism and romantism flourished, mythological and Biblical themes inspired many prominent painings, notably by Karl Briullov and Alexander Ivanov.
In the mid-19th century the Peredvizhniki (Wanderers) group of artists broke with the Academy and initiated a school of art liberated from academic restrictions. These were mostly realist painters who captured Russian identity in landscapes of wide rivers, forests, and birch clearings, as well as vigorous genre
